Post-Production

In code	Out code	Scene	Shot	Take	Description	Yes/no
0:02:47:18	0:03:02:00	2	1	1	CCTV long shot from the corner of the room, showing TOM sitting in the chair	Yes
0:03:02:01	0:03:25:13	2	1	2		No
0:03:25:14	0:03:32:19	4	5	1	CCTV view of the OFFICER pacing and looking extremely angry.	No
0:03:32:20	0:03:42:00	4	5	2		Yes
0:03:42:01	0:03:50:04	4	14	1	CCTV shot of the OFFICER walking up to it, and unplugging it. Hence a blackout occurs.	No
0:03:50:05	0:03:57:16	4	14	2		Yes
0:03:57:17	0:04:06:09	5	1	1	MLS from outside the room pointing at the door to show the OFFICER walking out, and TOM in the room unconscious.	Yes
0:04:06:10	0:04:13:17	5	1	2		No
0:04:13:18	0:04:23:17	4	1-13 (excluding 5) Of TOM	1	The conversation between the OFFICER and TOM	No
0:04:23:18	0:04:33:06			2		No
0:04:33:07	0:05:04:00			3		Yes
0:05:04:01	0:05:34:23			4		Yes
0:05:34:24	0:06:08:12			5		Yes
0:06:08:13	0:06:17:17			6		No
0:06:17:18	0:06:47:11			7		No
0:06:47:12	0:07:16:11	4	1-13 (excluding 5) Of OFFICER	1	The conversation between the OFFICER and TOM	No
0:07:16:12	0:07:39:21			2		No
0:07:39:22	0:07:46:11			3		Yes
0:07:46:12	0:07:51:23			4		No
0:07:51:24	0:08:15:20			5		No
0:08:15:21	0:08:19:04			6		No
0:08:19:05	0:08:50:19			7		No
0:08:50:20	0:09:05:10			8		No
0:09:05:11	0:09:20:19			9		No
0:09:20:20	0:09:27:02			10		No
0:09:27:03	0:09:34:11			11		Yes
0:09:34:12	0:09:49:04			12		Yes
0:09:49:05	0:09:57:04	1	1	1	Establishing shot	Yes
Time Break
0:10:05:03	0:10:14:15	3	1	1	MLS of OFFICER walking down the corridor	No
0:10:14:16	0:10:17:09			2		No
0:10:17:10	0:10:33:19			3		Yes
0:10:33:20	0:10:46:21			4		No
0:10:46:22	0:10:52:05	4	1	1	MLS of the door and the OFFICER entering	No
0:10:52:06	0:11:00:20			2		No
0:11:00:21	0:11:07:05			3		yes